Tony Cragg

Description

Much of Cragg's recent work has experimented with the manipulation of the human face, the use of stacking and layering and the effects of centring his architectural pieces, such as Here Today, Gone Tomorrow, around variable axes. This piece is, characteristically, animated and infused with a sense of movement and pace, a fleetingness stressed by the work's title. Whilst the piece appears to be spinning at speed, it also seems to have been subject to wind and water erosion as a result of its smooth, undulating and topographical form.