David Mach

Description

While multiple mass-produced objects, most notably magazines, newspapers and car tyres, have been used consistently by Mach throughout his career, he brings together a somewhat more traditional fusion of fibre glass and steel for his new piece at Sculpture at Goodwood, Firebreather. Consistent with previous practice however, he does retain the elements of humour and social comment that are so apparent in his other works.

The fibreglass figure stands in mid-stride on an upward-sloping steel base, which visually creates a stage-like platform for his performance. While its sheer size clearly has practical reasons, it becomes apparent that the black reflective base is integral to the overall effect of the sculpture. Mach has created what at first glance appears to be a very standard, idealized young man; Strong masculine features, six-pack, broad shoulders, very muscular arms. Yet the design speaks perhaps of other intentions. The tanned bare chest, studded arm bracelet, thick buckled belt, large hoop earring in the right ear, the exaggerated looking golden hair, and the ruffled spotted handkerchief in his back pocket, all contribute to a slightly camp sensation that is being projected. Mach is not simply being playful, as these characteristics add to the showman effect that culminates with the figure blowing fire through a torch every two minutes. In a sense, a connection can be made with Mach's fascination with the effects of fire on his work, as can be seen in his match-head series.

The piece is clearly fun, exciting, amusing and out of the ordinary, however it certainly induces a variety of other responses. The over-sculpted muscles, pert nipples, very wide shoulders, and disproportionally large hands, make it evident that what we are looking at is a model/mannequin. However it is the life-like nature inserted into this inanimate being that creates a certain feeling of unease. The figure's movement and positioning, highlighted respectfully by the creases in the trousers, and its placement on the very edge of the base, add an element of danger and threat to the work. The figure's hypnotic gaze up towards the burning flame not least expresses this sense of recklessness.