Laura Ford

description

Laura Ford has been thinking about how sculpture operates within a landscape and wanted to make something that would become part of it, but which on closer observation would be rather strange in that environment. She started with the Stump Girl, which takes the form of a regular tree stump animated by a pair of little girls' legs. The later Conifer Girl and Bush Girl which complete this unruly trilogy, add to the conundrum. When brought together they give rise to questions of identity, intent, fear and humour. Are these depictions of real trees? Are they watching? Are they malevolent? They provoke parental concern, but remain beyond our reach. The sculptures are made in a traditional material, bronze, with all its authority and associations with important monuments. It is employed here to suggest a different scenario. The artist has used the convention of perfect outdoor sculpture for a subversive subject-matter.

The Conifer and Bush are quieter than their Stump counterpart, but possibly more malevolent. Simultaneously they have the innocent joy of girls playing in the wood and the bleakness of children gone missing. In a gallery setting (they were first shown at Spacex in Exeter in an exhibition for which they were especially cast by Sculpture at Goodwood) they are hopelessly attempting to camouflage themselves, like children hiding their heads and thinking they cannot be seen. A landscape setting such as this renders their fantasy almost a reality. Nature Girls are uneasy, but comical. Laura Ford shares with Camille Paglia a view of nature which, like sexuality, is at times romanticised but is brutal and cruel. Nature Girls evolved from a series of works devoted to the tyranny and contradictions manifest in children. All of these girls are egotistical, attention-seeking and aggressive as well as possessing the opposite qualities.