Tony Cragg, whipping a yellow duster out of his pocket, said morosely: "Outdoors is brutal."
He was peering anxiously towards the gleaming daffodil yellow-painted bronze surface of Declination, and the mirror-polished dazzle of I'm Alive, two pieces, weighing a total six tonnes, which he just finished in time for the biggest outdoor exhibition of his work in Britain, and one of the most extensive ever given to a single British sculptor.
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